春天的英语散文
每个春天都是独一无二的,是自然界永恒的奇迹。以下是小编整理的春天的英语散文,一起来感受春天。
Winter has gone , and spring is coming on .
Watching the ice melting ,I know the whole earth is being rejuvenated from the winter. A variety of flowers come out to show their beauty and bring us fragrance .It is a feast for our eyes and souls. The yellow grass suddenly turn green . The young leaves grow on the branches . The swallows fly back home with the greeting of spring .
Everything is coming to life . Feeling the warm sunshine , enjoying the beautiful scenery , listening to the wonderful music , drinking the new tea , my mood is perfect and I have nothing else to desire. Spring is the most fantastic season in the year .It means so much to the other three seasons.
Welcome to Spring at Faith Radio Online-Simply to Relax, I’m Faith.
Today, look at the blue sky, hear the grass growing beneath your feet, inhale the scent of spring, let the fruits of the earth linger on your tongue, reach out and embrace those you love. Ask Spirit to awaken your awareness to the sacredness of your sensory perceptions.
What a miracle it is. No matter how long the winter, how hard the frost or how deep the snow, Nature triumphs. No season is awaited so eagerly or welcomed so warmly as spring…Each year I am astonished by the wealth of flowers the season gives us: the subtlety of the wild primroses and violets, the rich palette of crocus in the parks, tall soldier tulips and proud trumpeting daffodils and narcissi.
Picture this: The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust. The air one breathed was saturated with earthy smells, and the grass under foot had a reflection of blue sky in it.
Every spring is the only spring, a perpetual astonishment.
In those vernal seasons of the year, when the air is calm and pleasant, it were an injury and sullenness against Nature not to go out and see her riches, and partake in her rejoicing with heaven and earth.
Silent Spring, she was fifty years old. She had spent most of her professional life as a marine biologist and writer with the U.S. Fish and Wildlife Service. But now she was a world-famous author, thanks to the fabulous success of The Sea Around Us, published seven years before. Royalties from this book and its successor, The Edge of the Sea, had enabled her to devote full time to her own writing.
To most authors this would seem like an ideal situation: an established reputation, freedom to choose one’s own subject, publishers more than ready to contract for anything one wrote. It might have been assumed that her next book would be in a field that offered the same opportunities, the same joy in research, as did its predecessors. Indeed she had such projects in mind. But it was not to be.
While working for the government, she and her scientific colleagues had become alarmed by the widespread use of DDT and other long-lasting poisons in so-called agricultural control programs. Immediately after the war, when these dangers had already been recognized, she had tried in vain to interest some magazine in an article on the subject. A decade later, when the spraying of pesticides and herbicides (some of them many times as toxic as DDT) was causing wholesale destruction of wildlife and its habitat, and clearly endangering human life, she decided she had to speak out. Again she tried to interest the magazines in an article. Though by now she was a well-known writer, the magazine publishers, fearing to lose advertising, turned her down. For example, a manufacturer of canned baby food claimed that such an article would cause “unwarranted fear” to mothers who used his product. (The one exception was The New Yorker, which would later serialize parts of Silent Spring in advance of book publication.)
So the only answer was to write a book—book publishers being free of advertising pressure. Miss Carson tried to find someone else to write it, but at last she decided that if it were to be done, she would have to do it herself. Many of her strongest admirers questioned whether she could write a salable book on such a dreary subject. She shared their doubts, but she went ahead because she had to. “There would be no peace for me,” she wrote to a friend, “if I kept silent.”
Silent Spring was over four years in the making. It required a very different kind of research from her previous books. She could no longer recount the delights of the laboratories at Woods Hole or of the marine rock pools at low tide. Joy in the subject itself had to be replaced by a sense of almost religious dedication. And extraordinary courage: during the final years she was plagued with what she termed “a whole catalogue of illnesses.”
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